Highlighting the dilapidated, the overlooked, and the obscure, I sought to breathe new life into these subjects. In order to accentuate the abandoned qualities, I worked with manipulating Saran wrap during the printing process, crafting these ghostlike wisps across the images.
Analog, ISO 400 Kodak film, printing process with Saran wrap, Spring 2016, Springfield/Conway, MO, USA.
