Highlighting the dilapidated, the overlooked, and the obscure, I sought to breathe new life into these subjects. In order to accentuate the abandoned qualities, I worked with manipulating Saran wrap during the printing process, crafting these ghostlike wisps across the images.

Analog, ISO 400 Kodak film, printing process with Saran wrap, Spring 2016, Springfield/Conway, MO, USA. 
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